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*with exclusive inerview

 
when i cross-reference, i feel his pleasure

[readingarts]All I can remember of Chariots of Fire are the endless slow-motion track meets and a single line: "When I run, I feel his pleasure." I had a similar feeling a couple of years ago one morning while happily cross-referencing two or three of my books. I became aware that I was made, in part, for God to enjoy my cross-referencing.

My cross-referencing is usually the first part and sometimes a large part of my devotions. It makes up most of the lectio and the meditatio of my Lectio Divina.

Do you read this way? I mean, how weird is this?

I'll start reading a new book, or rereading an old one. It doesn't have to be a devotional book, or even a "Christian" book, though it may be both. It may be the Bible or The Book of Common Prayer. It may be late at night and I'm reading a biography or maybe some poetry by Basho or Blake or Ben Zen.

All of a sudden, something in the book reminds me of something else in the book, or of something in another book. And I'm driven to link them with notes in the margins. I study the passages side by side. If it's really going someplace, I type up something and save it on the computer.

I start spreading the books in front of me on the floor. Sometimes I have more than ten books out along with a few pads, a highlighter and a pen. And I'm excited. "My heart overflows with a good matter…" (Psalm 45:1).

And I'm often excited about the same thought I've had over several mornings over several years. My notes on the subject keep piling up, like sand on a drip castle. I sometimes interrupt my meditation with visions of writing a book on the subject.

I'd be tempted to, except my cross-referencing, like my reading, is not that extensive. I read a little at a time, and I stop and move into meditatio or oratio when I'm full enough with reading. It's not like I'm deliberately researching or anything.

The number of books connected by my cross-references is relatively small. I have lots of books with a few cross references, and I have about twenty books with loads of cross-references. So all of the phantom books I would author would cite the same principal sources.

My method is pretty simple. I collect all references to a particular subject (or thought, if the subject is too broad) in the margin of the book that reminds me most about that subject or thought. Passages on the same subject or thought in other books are cross-referenced to that "central reference."

I thought I'd give you a sample thought, starting with its central reference.

Thought: Our hearts can become our treasure -- the playground God and we share.

Central reference: "Your heart, if it is totally surrendered to God, is itself that treasure, that very kingdom you long for and are seeking." (Jean-Pierre deCaussade, The Sacrament of the Present Moment (New York: HarperCollins Publishers 1989), p. 30.)

Cross-references:

"Watch over your heart with all diligence, / For from it flow the springs of life." (Proverbs 4:23, NNAS)

"He becomes to them a sensible presence Who follows them and envelops them wherever they go and in all that they do. . . . and when they have to be absorbed in some distracting work, they nevertheless easily find God again by a quick glance into their own souls." (Thomas Merton, New Seeds of Contemplation (New York: New Directions, 1972), p.276-77.)

"Once the intellect has accomplished its task
of discovering the place where the heart resides,
it will immediately see things
of which it was previously ignorant
and could never have hoped to find."

(Symeon the New Theologian, quoted in The Book of Mystical Chapters, John Anthony McGuckin, trans. (Boston: Shambhala Publications, Inc., 2002), p. 106.)

"The backslider in heart will have his fill of his own ways, / But a good man will be satisfied with his." (Proverbs 14:14, NNAS)

"All God's creatures invite us to forget our vain cares and enter into our own hearts, which God Himself has made to be His paradise and our own." (Thomas Merton, No Man is an Island (Orlando: Harcourt Brace & Company, 1983), p. 115.)

"Soul, you must seek yourself in Me / And in yourself seek Me." (Teresa of Avila, "Seeking God.")

"Isaac of Nineveh likewise used the image of Jacob's ladder as an image for the ascent to God through descent: 'Strive to enter the treasure chamber that is within you; that way you will see the heavenly treasure.'" (Anselm Gruen, Heaven Begins Within You, New York: The Crossroad Publishing Company, 1999), p. 21.)

"On one hand, the soul, moved by love, becomes the object of its own knowledge. On the other hand, the soul, touched and inflamed and transfigured by the illuminative flame of God's immediate presence, is no longer the object of knowledge but the actual medium in which God is known." (Thomas Merton, The Ascent to Truth (Orlando: Harcourt Brace & Company 1979), p. 278.)

"...[W]here your treasure is, there your heart will be also." (Matthew 6:21, NNAS)

 

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Posted June 2004

 
passages

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[flower]

everydayandeverynight.com

There's that story in Talmud about planting a carob tree that will only bear fruit in 70 years, long after the planter is gone. What is the motivation for the planter? Someone now deceased had planted trees for him. He's returning the favor.

Planting this linden required less patience, though certainly some. And just like parenting, there are gratifications at every step in the development. My ten-year old son already hangs off its branches. Our Dog Boaz urinates on it. I lean on it and take photos of it.

[Here's the whole post.]


Shadows and Symbols

We see here a personal connection between God and each of his stars. We see him not just having created them (past tense) but leading and ordering them still (present tense). There is a connection of call and response from him to these great balls of fire in the heavens. And he’s keeping score: he knows where each one is at all times.

This is not the God who can easily be boxed into the many categories and thoughts of humankind. And this is definitely not a boring or mass-marketed Supreme Being. This is the one who demonstrates a fireworks of creativity and artistry.

[Here's the whole post.]

[gravestone]

my gorgeous somewhere

From behind cold tables, men back      out
without words. Beat clean and   purple-black,
they relinquish certain prizes:
panties, condom wrappers
and other residual proofs of   conquest.

[Here's the whole poem.]

[trees]

mole

A student reported that he once said to C.S. Lewis, "the amount of really great poetry is very small." At which Lewis snapped, in some irritation, "The amount that can be read with pleasure and profit is enormous."

I agree. I don't have much patience with the idea of "greatness" in the arts, which I think does more harm than good.

[Here's the whole post.]


Florescence

She wears silk dresses in emerald   and
lapis lazuli spun from the peacock’s   tail.
Sometimes I imagine the threads   tugging,
pulling her back and hold on tight.

[Here's the whole poem.]

[tree]

the cassandra pages

The drive west last week, across Vermont and into New York, was one of the most ethereal and beautiful trips I've ever made over that route. I traveled in silence, in the early morning, alone. The clouds still hung low over the Green Mountains, and a hazy fog persisted in the flatter pastures on the border between the two states south of Lake George - it would burn off later in the morning and expose the extreme heat we've had since. But in those early morning hours, the mountains and farmland were dreamy and quiet and empty as the space in which I was traveling.

[Here's the whole post.]


On the Slow Train

What I had learned was folk etymology--what Wikipedia calls "A commonly held misunderstanding of the origin of a particular word, a false etymology." Folk etymologies are usually more interesting than the actual word origin. Sometimes folk etymologies can unfairly cast a bad light on some perfectly innocent words, such as picnic, or phrases such as rule of thumb. But for the most part, folk etymologies can be a lot of fun.

[Here's the whole post.]

[leaf]

Creature of the Shade

But as soon as I asked it I knew she wouldn't be able to answer. I was looking for something like "north" or "west," but she, despite being a transport management professional, just didn't use such words to organize her sense of a city. She used words like "green building" and "flagpole." She could speak of left and right, but these narrative markers don't help you unless you're already on the right course.

[Here's the whole post.]


not native fruit

I've just begun a new book by Susan Griffin, "Wrestling with the Angel of Democracy." So far, it lives up to Griffin's standards for exquisite reasoning and prose. She leads us through the labyrinth of her own inner experience where it meets the outer world of both history and current events. At certain points of connection with current events I remember feeling exactly what she expresses. I take it that the inference of the book's title is that, just as in the Bible story when Jacob wrestles with the angel of the Lord and will not let him go until the angel blesses him, we must now wrestle with the angel of democracy, and not let him go.

[Here's the whole post.]

[picture]

Everydayandeverynight.com

I'm launching my journal again for 5768/2008.

In this omer journal, I take a Jewish-mythic point-of-view which presumes that I, personally, together with all Jews past, present and future, left Egypt and stood at Mt. Sinai together. This perspective challenges each Jew to join the Jewish experience and not be limited by the actual historical time period in which one lives. This perspective places human imagination at the center of religious engagement.

Our leaving Egypt is only the beginning of our path to liberation. Free from the bonds of Pharaoh, we seek a better, more human life. We begin this journey by the shores of the Nile. We look back in awe at a sea now appearing normal after having miraculously parted. But what now?

[Here's the whole post.]


via negativa

It was my birthday, and I had been given a live shrew in a box — not for a pet, but simply to admire and to photograph. I was a little disappointed at first that I didn’t get any real presents, but the shrew was an admirably fierce little creature who attacked anything thrust in its direction, and I soon appreciated the wisdom of the gesture: loaning me a fully wild creature, something that can never be owned or controlled. The idea that anyone can own anything — it’s such a delusion, isn’t it? But that’s what drives this mania of consumption imperiling the earth.

[Here's the whole post.]

[picture]

Mole

Darling,
The rain you sent was mixed with snow.
I could not tell which between
The snowflakes and the apple blossom
On the black sidewalk; I woke and you were

[Here's the whole poem.]

[Picture]

The Middlewesterner

You see what you see. Don't beat yourself up too badly about it. Tomorrow the sky will be something different, a blue sheerness of petticoat, a shiny muslin, a white gauze.

Metaphor takes you away; it doesn't bring you back. You come back on your own if you get here at all.

[Here's the whole post.]

[Picture]

Lekshe's Mistake

Place
is not substance, not
a point in space,
more a point in time
when the conjunction of mind
and matter create
an experience
that
makes us believe there is a spot
to which we can return.

[Here's the whole poem.]


Marcia Bonta

Dragoo, affectionately referred to as “Skunk Man,” has little or no sense of smell, so as a mephitologist he can easily study and live with skunks. When he wants one for his research, he chases it down, picks it up by its tail, and is liberally sprayed, because, as skunk expert Richard G. Van Gelder discovered back in the 1960s, you can only grab a skunk by the tail and escape being sprayed if you surprise the animal. Otherwise, it is able to evert its anus and expose the nipples from its huge and squishy scent sacs, which are then ready to fire even if you do pick it up by its tail.

[Here's the whole post.]

[child walking]

Dick Jones' Patteran Pages

Your soft clock
scatters seconds like
peas on a drum.

A feather pulse
stutters in your
neck.

[Here's the whole poem.]

[duck photo]

Slow Reader

Aubrey is the guru of the Shelf Monkeys, a secret ‘book club’ to which Thomas gets invited. “Some books are simply a waste of paper, a waste of effort both to write and to read.” The flaming cover of this novel is sufficient clue to the book burnings that ensue, inspired by Fahrenheit 451. Books burnings, by the literate?! Only for books deemed not worthy by the members’ code. “We meet, we debate, we burn. It’s therapy, really.” Things escalate quickly and darkly, Lord of the Flies style, and Thomas is compelled to choose between his loyalties to his friends, literature, ethics, and his sanity.

[Here's the whole post.]


blogroll

Blaugustine
Box Elder
The Cassandra Pages
Crack Skull Bob
Creature of the Shade
Daintee
Dialogues with Silence
Dick Jones's Patteran Pages
Durable Pigments
Empreintes
Everydayandeverynight.com
Feathers of Hope
Florescence
Fragments from Floyd
Frizzy Logic
Heraclitean Fire
Hoarded Ordinaries
In a Dark Time
Irishmutt
Iron Monkey
Ivy Is Here
Lekshe's Mistake
Listening After Dark
Marcia Bonta
Mariachristina
The Middlewesterner
Mole
My Gorgeous Somewhere
9 to 5 Poet
Not Native Fruit
On the Slow Train
Outside the Lines
Paula's House of Toast
Qarrtsiluni
The Rain in My Purse
Sage Said So
Scenes from a Slow-Moving Train
Shadow Cabinet
Shadows and symbols
Simply Wait
Slow Reading
Spoil
Stony Moss
Tasting Rhubarb
3rd House Party
Tumblewords
Two Dishes but to One Table
Under the Fire Star
Velveteen Rabbi
Verbal Privilege
Via Negativa