[At my request, Dave
Bonta drafted this explanation of haibun, the literary
form of his composition "Therapy."]
I have gotten in the
habit of using the term "haibun" loosely to refer to a
composition that includes both prose and poetry as more-or-less
equal partners. Haibun - prose interspersed with the beginning (hokku)
verses for potential haikai linked verse sequences - was a descendent
of the Japanese poetic diary or nikki, a major literary form since
the ninth century. These earlier, often somewhat fictionalized,
literary diaries were interspersed with 27-syllable tanka poems
- indeed, in the case of the diary of Izumi Shikibu, the prose part
consists largely of descriptions of the occasions for the poems
- typically courtship. This tradition was built on the much older
Chinese culture of poetry, where poems were frequently accompanied
by lengthy notes on how, when, where and for whom they came to be
written, rather than by Western-style titles (a fact often obscured
by translators into Western languages), and they were sometimes
also published as part of a diary or travelogue. And this precedent
in turn might serve to remind us of the fact that passages of elevated
discourse - poems or songs - are encountered by audiences in a huge
variety of settings in oral and literate societies all around the
world. Poems may appear as part of plays, sacred texts or epic recitations,
might be embedded in political oratory or in liturgical celebrations.
It is only really in the societies of the modern, industrialized
West that poetry is seen as inhabiting some ideal realm all its
own. As any reader of the Bible will recognize, there's often something
quite exhilarating about a sudden switch from a more everyday to
a more elevated level of discourse. Would the Song of Deborah or
the "Magnificat" be so compelling apart from their narrative
matrices? Could the Torah ever have achieved the power to unite
a scattered people without its beautiful, stirring summary in the
last chapters of Deuteronomy?
- Dave Bonta
[Enjoy Dave's postings at Via Negativa.]
© 2005 Dave Bonta.
Used by permission. |